Wendell Holmes

Simon Oakland

Jon Lormer

John Marley

Barbara Graham is a woman with dubious moral standards, often a guest in seedy bars. She has been sentenced for some petty crimes. Two men she knows murder an older woman. When they get caught, they start to think that Barbara has helped the police to arrest them. As revenge, they tell the police that Barbara is the murderer.—Mattias Thuresson

I Want to Live!

I Want to Live! (1958)

The first class compartment of the December 1935 departure of the Orient Express from Istanbul is full, unusual for this time of the year. Regardless, famed and fastidious Belgian detective, Hercule Poirot, who needs to get back to London immediately, is able to secure last minute passage in the compartment with the assistance of his friend, Signor Bianchi, one of the directors of the train line who is also making the trip. Some of the first class passengers seem concerned about Poirot's presence on the train. At least one of them has reason to be concerned, as later, another first class passenger, who earlier in the trip asked Poirot to provide protection for him due to several death threats, is found murdered in his stateroom by multiple stabbings. At the time the victim is found, the train is unexpectedly stopped and delayed due to snow in remote Yugoslavia, which may be problematic for the murderer in getting away now that Poirot is on the case, which he is doing as a favor to Bianchi as not to get the Yugoslav police involved. Poirot quickly learns that the victim was not who he presented himself to be and has a connection to a five-year-old American kidnapping and murder case of infant Daisy Armstrong, murdered in spite of the fact that her parents had paid the requested ransom. The murderer in that case has long been convicted and executed but the ransom moneys were never recovered, a known accomplice never captured, and both the Armstrong parents have since tragically died. As Poirot questions the train's valet, the victim's accompanying staff, and the other primarily well off first class passengers and their accompanying servants, who are all on the surface more than cooperative, he finds that many had opportunity and motive, the latter which may not be obvious. There is also a great deal of evidence discovered on the train, which pulls his thoughts in many directions. These pieces of information may complicate the deduction of who is the murderer.—Huggo

Murder on the Orient Express

Murder on the Orient Express (1974)

Tony Hunter, a famous singer/dancer movie star, is feeling washed-up and old-hat (old top hat, tie, and tails to be exact). The reporters are out for Ava Gardner, not him. But his old friends Lily and Les Marton have an idea for a funny little Broadway show and he agrees to do it. But things begin to get out of hand, when bigshot "artistic" director/producer/star Jeffrey Cordova joins the production, proclaims it's a modernistic Faust and insists on hiring a prima ballerina, Gabrielle Gerard, to star opposite Tony, and it's hate at first sight. And her jealous choreographer isn't helping to ease the tension. The show is doomed by pretentiousness. But romance, a "let's put on a show" epiphany, and a triumphant opening are waiting in the wings. After all, this is a musical comedy.—Kathy Li

The Band Wagon

The Band Wagon (1953)

West Side Story is the award-winning adaptation of the classic romantic tragedy "Romeo and Juliet". The feuding families become two warring New York City gangs--the white Jets led by Riff and the Latino Sharks, led by Bernardo. Their hatred escalates to a point where neither can coexist with any form of understanding. But when Riff's best friend (and former Jet) Tony and Bernardo's younger sister Maria meet at a dance, no one can do anything to stop their love. Maria and Tony begin meeting in secret, planning to run away. Then the Sharks and Jets plan a rumble under the highway--whoever wins gains control of the streets. Maria sends Tony to stop it, hoping it can end the violence. It goes terribly wrong, and before the lovers know what's happened, tragedy strikes and doesn't stop until the climactic and heartbreaking ending.—Anonymous

West Side Story

West Side Story (1961)

After the death of her famous opera-singing aunt, Paula Alquist (Ingrid Bergman) is sent to study in Italy to become a great opera singer as well. While there, she falls in love with the charming Gregory Anton (Charles Boyer). The two return to London, and Paula begins to notice strange goings-on: missing pictures, strange footsteps in the night, and gaslights that dim without being touched. As she fights to retain her sanity, her new husband's intentions come into question.—Jwelch5742

Filmz

I Want to Live!

1958

Action/ Biography/ Crime/ Drama/ Film-Noir

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Duration: 120 min

IMDB Rating: 7.5

Language: en

MPA Rating:

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Plot Summary

Top Cast

Wendell Holmes as -Detective

Simon Oakland as -Edward S. 'Ed' Montgomery

Jon Lormer as -San Quentin Doctor

John Marley as -Father Devers

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