Jeanne Moreau

In a French village, Manou is an Italian logger, virile, with a broad laugh. He can't say no to women's sexual invitations, and jealous villagers blame him for recent fires and a flood. He is innocent; the culprit is "Mademoiselle," town schoolmarm, a recent arrival admired by all, but sexually repressed and obsessed with Manou. She sets the first fire accidentally and throbs watching a shirtless Manou perform heroics. Subsequent catastrophes are no accident and express her mad passion for him. Also, after befriending Manou's son, she turns on the lad, making him miserable and raising his suspicions. Her designs, Manou's frank innocence, and the town's xenophobia mix explosively.—

Mademoiselle

Mademoiselle (1966)

Tokyo banker Shûkichi Sugiyama's two surviving offspring, adult daughters Takako Numata and Akiko Sugiyama, live with him. He raised them on his own after his wife/their mother Kisako abandoned the family long ago. The father worries about both daughters in different ways. Takako has left her writer/translator husband Yasuo Numata without telling him, and she moves back to her father's home with her and Yasuo's 2-year-old daughter Michiko. Akiko, an English shorthand student who has no recollection of her mother, has been staying out to all hours of the night. Shûkichi and his daughters' Aunt Shigeko believe that sullen Akiko needs a boyfriend to shake her out of her funk, and Auntie starts trying to find her an appropriate suitor. Akiko's family doesn't know that her tie to fellow college student Kenji Kimura is the reason for her uncommunicative sullenness--and why she has secretly been trying to raise ¥5,000. While Shûkichi takes some responsibility for both their problems--he had preferred Numata to Takako's other suitor at the time, who might ultimately have been the better match--he's more disappointed in Akiko than worried about her; he had given her more attention than Takako in their formative years because Akiko never really had a mother. And at just this time, their mother, whom they had presumed was long deceased, reenters their lives, seeming to at least want to have some sort of relationship with them. Kisako's return has a profound effect on both Takako and Akiko, most specifically in how they view the recent goings-on in their own lives.—Huggo

Tokyo Twilight

Tokyo Twilight (1957)

A Michigan farmer and a prospector form a partnership in the California gold country. Their adventures include buying and sharing a wife, hijacking a stage, kidnaping six prostitutes, and turning their mining camp into a boomtown. Along the way there is plenty of drinking, gambling, and singing. They even find time to do some creative gold mining.—David J. Kiseleski

Paint Your Wagon

Paint Your Wagon (1969)

Jeff and Mari Thompson have been married for fifteen years. Although their marriage is not perfect, they are seemingly happy in their married and family life. But all their married friends seem to be getting divorced or separated. These newly single friends try to convince both Jeff and Mari - together and individually - that divorce is the way to go. Even if they do decide to remarry, it will be an inevitability that that marriage too will end in divorce. And divorce can even re-energize the love in an otherwise stale marriage. In light of these assertions by their friends, Jeff and Mari do evaluate their marriage. Their friends also place each of them in potentially compromising positions, despite the fact that they still are married. Will Jeff and Mari's marriage be able to withstand all this outside pressure?—Huggo

Filmz

Mademoiselle

1966

Action/ Drama

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Duration: 103 min

IMDB Rating: 7.1

Language: fr

MPA Rating:

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Jeanne Moreau as -Mademoiselle

Filmz

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