John Cairney

Derren Nesbitt

Dirk Bogarde

Sylvia Syms

A plea for reform of England's anti-sodomy statutes, Melville Farr (Sir Dirk Bogarde), a married lawyer, tries to locate a blackmailer who has photos of Farr and a crying young gay man (who becomes blackmailed) in Farr's car. After the suicide, Farr tracks down other gay men being extorted for money by the same blackmail scheme. Worldly Police Detective Inspector Harris (John Barrie) considers the anti-sodomy law nothing more than a license to blackmailers, and eventually is contacted by Farr to capture the malicious blackmailer. The movie, far ahead of its time, ends with Farr and his loving wife coming to terms with his homosexual tendencies in advance of the public exposure he will face in the team of blackmailers' trial.—Mike Mills

Victim

Victim (1961)

A screenplay entitled "A Star Is Born" is stamped with the words, "Final Shooting Script," then opened to reveal the following story: Esther Blodgett returns one winter evening to her home, an isolated farmhouse in North Dakota, after seeing a movie with her little brother Aleck, which starred her screen idol, Norman Maine. Esther's Aunt Mattie disdains Esther's obsession with the movies, and her father and grandmother Lettie are surprised to hear that Esther wants to be a movie star. After Mattie berates her, Esther runs to her room in tears. Lettie then tells Esther of her own past dreams of coming across the country in a "prairie schooner," and although she cautions Esther about the heartbreak that always comes to those who pursue their dreams, Lettie encourages Esther and gives her money to take a train to Hollywood. In Hollywood, Esther goes to Grauman's Chinese Theatre, where she steps in the footprints of Norman Maine. Esther naively expects to begin immediately as an extra, but she learns the depressing news that no extra has been signed by Central Casting in the past two years. When she is told that she has only a one in one hundred thousand chance to succeed, she replies that maybe she is that "one." Esther makes friends with Danny McGuire, an out-of-work assistant director who lives in her rooming-house, and when he gets a job, they go to a performance at the Hollywood Bowl, where Norman arrives drunk with actress Anita Regis and then starts a fight with a persistent photographer. Danny gets Esther a job as a waitress at a party his director is giving. Norman arrives at the party following another drunken escapade, which his exasperated press agent, Matt Libby, has kept out of the newspapers. Anita catches Norman in the kitchen flirting with Esther, and after she breaks a plate over his head, Norman and Esther leave together. Although he invites her to his place to talk over her career plans, Esther refuses, and after he gives her a goodnight kiss, he asks her to wait a moment so that he can take one last look at her before she goes in. Norman then phones and awakens studio head Oliver Niles at nearly three in the morning to arrange for a screen test for Esther, whose sincerity and honesty he praises. After the test, Esther signs a contract, and she is soon transformed by posture and voice coaches, and makeup artists into "Vicki Lester." Unable to find a suitable female lead for his next picture, Norman talks Oliver into using Esther, and she is a smash hit with the preview audience, who disparage Norman's performance. Norman and Esther celebrate at the Cafe Trocadero overlooking the city, where Norman tells Esther that she now can have anything in the world, but reveals that stardom has not made him happy and that he feels he has thrown his life away. Esther comforts him and tries to convinces him that it is not too late, and they hug. At a boxing match, Norman proposes marriage, and the couple marry quietly at a small town courthouse, which spoils Libby's plans to cash in on the publicity. Soon after their honeymoon trip in a trailer, Norman's contract is canceled, and he is relegated to the role of house husband, while Esther becomes a top star. Norman starts drinking again, and during the Academy Awards ceremonies, he drunkenly interrupts Esther's acceptance speech for the award for finest performance by an actress and accidentally slaps her in the face. Sometime later, at Esther's instigation, Oliver visits Norman, now in a sanitarium, to offer him a role in a picture, but when Norman learns that it is not the lead, he good-naturedly declines. During Christmas week, Norman, out of the sanitarium and on the wagon, visits Santa Anita Racetrack, where he runs into Libby. Although Norman tries not to get riled as Libby brutally razzes him, when Libby crudely suggests that he is sponging off his wife, Norman hits Libby, who belts him. Norman then orders a bottle of scotch, and four days later, Esther learns that he has been arrested for crashing his car into a tree while intoxicated. Through Esther's pleading with the judge, Norman is released to her custody, but the newspapers make the incident into a front-page story. At their beach house in Malibu, Norman overhears Esther tell Oliver that she must now quit the movies so that she can go away with Norman. After Oliver leaves, Norman finds Esther crying. He tells her that he is going for a swim, and before he leaves her, he asks, as he did the night they met, for one last look at her. He then walks into the ocean and drowns. Outside the church where Norman's funeral is held, the uncaring comments and actions of Esther's fans cause her to scream hysterically. She is about to leave town, when Lettie arrives and convinces her that tragedy is a test and that she must not run away from herself. Later, as Esther is about to be interviewed on radio at a premiere in front of Grauman's Chinese Theatre, she sees Norman's footprints and starts to swoon, but she recovers and says with pride into the microphone, "Hello, everybody. This is Mrs. Norman Maine." The last page of the screenplay, which contains the above line, is shown, and the screenplay is closed.

A Star Is Born

A Star Is Born (1937)

In this poignant gay cinema classic, the first film to address the AIDS pandemic, a New York City gay man in a monogamous relationship becomes a "buddy" or volunteer bedside companion to another gay man dying of AIDS. The last film directed by 70s and 80s gay film pioneer Arthur J. Bressan, Jr., who himself died of complications from AIDS just two years after the film was released in 1985.—TrivWhiz

Buddies

Buddies (1985)

In early-13th-century Assisi in Italian Umbria, the son of a rich merchant, Francesco Bernardone, returns ill from war. In his delirium, he goes back in his memories to the days when he lived for parties and carnal pleasures. Yet, the shadow of the cross that he sees in fever brings an end to his old life. The armor which he calls "my death mask" appears to be his final clothing of the old human. He slowly recovers, but after the illness he is no longer the Francesco that everybody knew. Instead of spending hours in taverns, he spends them in meadows; instead of drinking, he meditates on the beauty of God's creatures. He encounters a ruined little church where, from the old cross, Christ changes his life forever. Francesco renounces riches and his family and starts to rebuild the church as "il Poverello--the poorest of the poor." Soon, he gathers many people who are willingly built into a powerful new Spiritual Temple. Will the kingly Pope accept a new order of beggars and the poorest of the poor? Will the shining gold accept the inner treasure?—Marcin Kukuczka

Brother Sun, Sister Moon

Brother Sun, Sister Moon (1972)

Autistic since birth, 28-year-old Molly McKay is a carefree young woman with an incredible zest for life. Her brother Buck McKay, a 32-year-old bachelor with a full social calendar and a booming career, has had little contact with Molly over the years until the institution that cares for her closes down. Now it's up to Buck to take his sister in...and that's turning into a full-time job. Daring, childlike and very energetic, Molly completely envelops her brother's life and turns his ordered world into chaos. Then just when Buck becomes desperate, Molly becomes a candidate for a new medical procedure that could cure her completely...but is it worth the risk? Molly sure thinks so...she's ready to experience everything.—MGM/UA Home Video

Filmz

Victim

1961

Action/ Crime/ Drama/ Thriller

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Duration: 100 min

IMDB Rating: 7.7

Language: en

MPA Rating:

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Plot Summary

Top Cast

John Cairney as -Bridie

Derren Nesbitt as -Sandy Youth

Dirk Bogarde as -Melville Farr

Sylvia Syms as -Laura

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